(3)

.

, . - , , , . - , , , . , , , , , ! , , 1948 . D.F. Tover. The Integrity of Music (London: Oxford U.P., 1941), , .
, , , , . , . , , .

. , , , . , , . , , . , , , , - . . , , ,

, , , .

. (. . 646-654). , , . , . , , .

*

, , , , . (. Holt). A Documentary History of Art (. .: Princeton U.P., 1981-1988) . XIX : The Expanding World of Art 1874-1902. , Prentice-Hall ( .. ). , , , , , , . : The Art of Greece, 14001431 . Ed. J.J. Pollitt (1965, 2- ., 1990); The Art of Rome, 753 - 337 AD. Ed. J.J. Pollitt (1966); The Art of Byzantine Empire, 312-1453. Ed. Cyril Mango (1972); Early Medieval Art, 300-1150. Ed. Caecilia Davis-Weyer (1971); Gothic Art, 1140. 1450. Ed. Teresa G. Frisch (1971); Italian Art, 1400-1500. Ed. Creighton Gilbert (1980); Italian Art, 1500-1600. Ed. Robert Enggass, Henri Zerner (1960); Northern Renaissance Art, 1400-1600. Ed. Wolfgang Stechow (1966); Italy and Spain, 1600-1750. Ed. Robert Enggass, Jonathan Brown (1970); Neoclassicism and Romanticism. Ed. Lorenz Eitner (2 vols., 1970); Realism and Tradition in Art, 1848-1900. Ed. Linda Nochlin (1966); Impressionism and Post-Impressionism, 1874-1904. Ed. Linda Nochlin (1966). : D.S. Chambers. Patrons and Artists in the Italian Renaissance (London: Macmillan, 1970). , XIX XX , : Nineteenth-Century Theories of Art. Ed. Joshua C. Taylor (Berkeley: California U.P., 1987); Theories of Modern Art: A Source Book by Artists and Critics. Ed. Herschel B. Chipp (Berkeley: California U.P., 1968); Art in Theory, 1900-1990: An Anthology of Changing Ideas. Ed. Charles Harrison, Paul Wood (Oxford: Blackwell, 1992).

* , . , , ; .

[. : . , , (. I-III, .: , 1933-1934/38; 2- ., . I-V, : , 1965-1969); . . -. . . .. (.: , 1969); , 1920- . . .. , .. (.: , 1994); . - . (.: , 1986)].

. . . .. (.: , 1936) - . . : . . . . .. (.: , 1994) - , ; ; . . . . . (2 ., .: , 1938-1940; 2- ., .: , 1994). .: [ . , . I (M.: . . , 1962); -. : . . .. (.: , 1978); . . . . .: , 1969)]. : Abbot Suger on the Abbey Church of Saint Denis and its Art Treasures. Transl., ed. and annot. by Erwin Panofsky (Princeton U.P., 1946; . ., 1979). .: , . I (M., 1966). : . , . . . (.: , 1933). - .: .. . , . II (.: . . , 1937). : J.P. Richter. The Literary Works of Leonardo da Vinci (Oxford U.P., 1939; . London: Phaidon, 1970).

(. Pedretti), . [. : . . . . .. A.M. (2 ., .-.: Academia, 1935]. , .. .. , XVI , (.: , 1934). .. .: . . (.: , 1964; 2-, . ., 1983). A.M. . .: (.: , 1992). . . - , . . . (.: , 1914).
- .. - .: . . . (2 ., .-.: , 1957).
, , .. .. (5 ., .: , 1956-1971). 1550 , , , 1568 . , . , . , , . . , , , , (.-.: . . , 1931).

, , . .: . . . .. (.: , 1965). XVII : . . . .. (.-.: , 1940), .: Antonio Palomino. Lives of the Eminent Spanish Painters and Sculptors. Transl. by N. Mallory (Cambridge U.P.,

1987). .: . . . .. . (.-.: Academia, 1933); . . . . . .. , .. , .. (.: , 1977).
XVII-XVIII , , : Joshua Reynolds. Discourses on Art. Ed. Robert. R. Wark (San Marino, Cal: Huntington Library, 1959; . New Haven-London: Yale U.P., 1981). . .. (.-.: , 1958). , , , .. . , . . .. , .. (.: , 1964).

; . .. , .. (2 ., .: . , 1961). .: Correspondance generale d'Eugene Delacroix. Publiee par Andre Joubin (5 vol., Paris, 1936-1938). .: .. . (.: , 1975); . ., . 10 (.: . , 1980). , .: . , , . . .. (.: , 1970). , , Theodor Duret. Peintres impressionistes (Paris, 1878); : Histoire d'Edouard Manet et de son oeuvres (Paris, 1902). - .: . , , . . .. (.: , 1974); . . . . . (.: , 1971); . . . . .. (.: , 1972). -.: . . . . (.: , 1970). (. .. , . . ; .-.: Academia, 1935). . : . . . .. . (.-.: , 1966). . .: . . -. . . .. - (.: , 1972).

.. (: , 1970). XX .: Oskar Kokoschka. Mein Leben (Munchen: Brukmann, 1971) . (.: , 1991). . .: Frank Lloyd Wright. The Collected Writings (2 vols., New York: Rizzoli, 1992) [ . . . .. . (.: , 1960)]. .: . . . .. (.: , 1971).

, : Paul Klee. Uber die moderne Kunst (Bern: Benteli, 1945) Hilaire Hiler. Why Abstract? (London: Falcon, 1948); . , , ; .: Documents of Modern Art (New York: Wittenborn, 1944-1961); Documents of 20th-century Art (London: Thames and Hudson, 1971-1973). (.: , 1992); . : Wassily Kandinski, Die gesammelten Schriften (Bern: Benteli, 1980). .: . . . . . . .. (.: , 1993). , , .: . Richter. Dada-Kunst und Antikunst (Koln: Du Mont, 1978), . .: , 1920- . . .. , .. (.: , 1994); . (.: , 1996). , . , 1913 : Guillaume Apollinaire. Les peintres cubistes. Meditations esthetiques. (Paris: Hermann, 1965) : Andre Breton. Le Surrealisme et la peinture (Paris: Gallimard, 1928; . , . 1965). , , .: Robert L. Herbert. Modern Artists on Art (New York: Prentice-Hall, 1965); . .: Philip James. Henry Moore on Sculpture (London: Macdonald, 1966).

, , . , .
, XIX , и - (John Ruskin. Modern Painters. London: Deutsh, 1987), , . -, . . .. (.: , 1912). . .: The Letters of William Morris to his Family and Friends. Ed. Philip Henderson (London: Longman, 1950). [ . . . . .. , .. (.: , 1973)]. и . Ruskin Today (London: John Murray, 1964; . Harmondsworth: Penguin, 1982); J. Ruskin. The Lamp of Beauty: Writing on Art (London: Phaidon, 1959; 3- ., 1995), [ . , I, . 4, 7, 8, 10 (.: , 1904)]. - , - . .: (.: , 1986), (. . , .: . , 1966), (2 ., .: . , 1964) XVIII (Edmond et Jules de Goncourt. L'art du dix-huitieme siecle. 2 vols. Paris: Quantin, 1880-1882; Paris: Hermann, 1968). : Anita Brookner. Genius of the Future (London: Phaidon, 1971; . Ithaca: Cornell U.P., 1988).

(R. Fray); , , Vision and Design (London: Chatto and Windus, 1920; . . London: Oxford U.P., 1981), Cezanne: A Study of his Development (London: Hogarth Press, 1927; . . Chicago U.P., 1989), Last Lectures (Cambridge U.P., 1939). 1930-1950- (. Read) Art Now (London: Faber, 1933; 5- ., 1968) The Philosophy of Modern Art (London: Faber, 1931; . 1964). - (. Rosenberg),

The Tradition of the New (New York: Horizon Press, 1959; London: Thames and Hudson, 1962; . London: Phaidon, 1970) The Anxious Object: Art Today and its Audience (New York: Horizon Press, 1964; London: Thames and Hudson, 1965), (. Greenberg), Art and Culture (Boston: Beacon Press, 1961; London: Thames and Hudson, 1973).

, : Anthony Blunt. Artistic Theory in Italy 1450-1600 (Oxford U.P., 1940); Michael Baxandall. Giotto and the Orators (Oxford U.P., 1971; . 1986); Rudolf Wittkower. Architectural Principles in the Age of Humanism (London: Warburg Institute, 1949; . . London: Academy, 1988); Erwin Panofsky. Idea: A Concept in Art Theory (New York: Harper and Row, 1975).


- . , , . , , , . , , , .

, ( ) . , , , . , ( ) . (. Berenson) Italian Painters of the Renaissance (Oxford: Clarendon Press, 1930; 3- ., Oxford: Phaidon, 1980). [ .. .: London: Phaidon, 1956: . . . .: , 1965]. . : Drawings of the Florentine Painters (London: John Murray, 1903; . . Chicago U.P., 1970). (. . . . . .: , 1923).
. , .

, - . : Otto Kurz. Fakes (New York: Dover, 1967). . , : Fakes? The Art of Deception. Ed. Mark Jones (London: British Museum, 1990).


, , . , .
XVIII . 1764 (. . , . . .: , 1933). - .: .. . . . . (.-.: Academia, 1935; ., .: , 1996).

XIX XX , , , . : Michael Podro. The Critical Historians of Art (New Haven-London: Yale U.P., 1982). , , ¸, . : . . . (.: , 1913); . . . .. , .. (.: -, 1912); . . .. (-.: Academia, 1930; .: , 1994); . . . .. , .. (.: , 1934). (W. Worringer), Abstraction und Einfuhlung (Munchen: Piper, 1911) . (. . , . . .: . , 1995).

XIX (. Male). ., , : L'art religieux du - siecle en France (2- ., Paris: Colin, 1924); L'art religieux apres le Consil de Trente. Etude sur

l'iconographie de la fin du XVI-e siecle, du XVII-e, du XVIII-e siecle (Paris: Colin, 1932). , , : Jean Seznec. The Survival of the Pagan Gods (Princeton U.P., 1953; . 1972). (. Panofsky) Studies in Iconology (New York: Harper and Row, 1972), Meaning in the Visual Arts (New York: Doubleday, 1957; . Harmondsworth: Penguin, 1970), (F. Saxl); . A Heritage of Images (Harmondsworth: Penguin, 1970). : .. Gombrich. Symbolic Images (London: Phaidon, 1972; 3- ., Oxford, 1985; . London, 1995).
, : . . . . (.: -, 1996), G. Ferguson. Signs and Symbols in Christian Art (Oxford U.P., 1957).
(. Clark); ., , Landscape into Art (London: John Murray, 1949; . ., 1979) The Nude (London: John Murray, 1956; . Harmondsworth: Penguin, 1985). , , : Charles Sterling. La nature morte. De l'antiquite a nos jours (Paris: Tisne, 1952).

, , . (A. Hauser), A Social History of Art (2 vols., London: Routledge and Kegan Paul, 1951; . . 4 vols., 1990). . : Meditations on a Hobby Horse (London: Phaidon, 1963; 4- ., Oxford, 1985; . London, 1994). : Frederick Antal. Florentine Painting and its Social Background (London: Routledge and Kegan Paul, 1947); J.J. Clark, Image of the People: Gustave Courbet and the Revolution of 184S (London: Thames and Hudson, 1973). - ; .: Germaine Green. The Obstacle Race (London: Secker and Warburg, 1979; . London: Pan, 1981); Griselda Pollock. Vision and Difference: Feminity, Feminism and the Histories of Art (London: Routledge, 1988). ,

, ; . : New Art History. Ed. A.L. Rees, Frances Borzello (London: Camden, 1986). , . . Art in Modern Culture. Ed. Francis Frascina, Jonathan Harris (London: Phaidon, 1992; . 1994).

, - . , : Psycho-Analysis and the History of Art. - .: Meditations on a Hobby Horse (London: Phaidon, 1963; 4- , Oxford, 1985; . London, 1994); Freud Aesthetics. - .: Reflections on the History of Art (Oxford: Phaidon, 1987); Verbal Wit as a Paradigm of Art: the Aesthetic Theories of Sigmund Freud (1856-1939). -. Tributes: Interpreters of our Cultural Tradition (Oxford: Phaidon, 1984). ((P. Fuller) Art and Psychoanalysis (London: Hogarth Press, 1988), - R. Wollheim. Painting as Art (London: Thames and Hudson, 1987) - , . ; ., : A. Stokes. Painting and the Inner World (London: Tavistock, 1963). , , : Art and Illusion (London: Phaidon, 1960; 5- ., Oxford, 1977; . London, 1994); The Sense of Order (Oxford: Phaidon, 1979; . London, 1994); The Image and the Eye (Oxford: Phaidon, 1982; . London, 1994). . . .. (.: , 1974) -, . , , : David Freedberg. The Power of Images: Studies in the History and Theory of Response (Chicago U.P., 1989).

: Joseph Alsop. The Rare Art Tradition: the History of Art Collecting and its Linked Phenomena (Princeton U.P., 1981). : Francis Haskell, Nicholas Penny. Taste and the Antique (New Haven-London: Yale U.P., 1981). : Michael Baxandall. Painting and Experience in Fifteenth-Century Italy (Oxford U.P., 1972; 2- ., 1988), Martin Wackernagel. Der Lebensraum des Kunstlers in der florentinischen Renaissance. Aufgaben und Auftraggeber, Werkstatt und Kunstmarkt (Leipzig: Seemann, 1938); Francis Haskell. Patrons and Painters (London: Chatto and Windus, 1967; . . .: New Haven-London; Yale U.P., 1980); . Rediscoveries of Art (London: Phaidon, 1976; . Oxford, 1980). .: Gerald Reitlinger. The Economics of Taste (3 vols., London: Barrie and Rockliff, 1961-1970).

: Rudolf Wittkower. Sculpture (Harmondsworth: Penguin, 1977); Sheila Adam. The Techniques of Greek Sculpture (London: Thames and Hudson, 1966); Ralph Mayer. The Artist's Handbook of Materials and Techniques (London: Faber, 1951; 5- ., 1991); A.M. Hind. An Introduction to the History of Woodcut (2 vols., London: Constable, 1935; ., 1 ., New York: Dover, 1963); A.M. Hind. A History of Engraving and Etching (London: Constable, 1927; . New York: Dover, n.d.); Francis Ames-Lewis, Joanne Wright. Drawing in the Italian Renaissance Workshop (London: Victoria and Albert Museum, 1983); John Fitchen. The Construction of Gothic Cathedrals (Oxford U.P., 1961). (Art in the Making), : (1988), 1400 (1989) (1990); . . - : (1991) - .


, . - Pelican History of Art. , . 11 Oxford History of English Art. , Phaidon Colour Library, . , , , World of Art, Thames and Hudson.

: .. . (.: , 1997); - Nikolaus Pevsner. An Outline of European Architecture (London: Penguin, 1943; 7- ., 1963); - John Pope-Hennessy. An Introduction to Italian Sculpture (3 vols., London: Phaidon, 1955-1963; 2- ., 1970-1972; . Oxford, 1985); - The Heibonsha Survey of Japanese Art (30 vols., Tokyo: Heibonsha, 1964-1969; New York: Weatherhill, 1972-1980).Ho , , , . - Burlington Magazine Art Bulletin. , ; , . . , , Encyclopedia of World Art (New York, 1959-1968), : Art Index International Repertory of the Literature of Art (RILA), 1991 Bibliography of the History of Art.


(Oxford U.P.) (Penguin): Peter and Linda Murray. The Penguin Dictionary of Art and Artists (Harmondsworth, 1956; 6- . 1989); John Fleming, Hugh Honour. The Penguin Dictionary of Decorative Arts (Harmondsworth, 1979; . . 1989); Nikolaus Pevsner. The Penguin Dictionary of Architecture (Harmondsworth, 1966, 4- . 1991); The Oxford Companion to Art (1970-1975); The Oxford Companion to the Decorative Arts (1970, 1975).

30- Macmillan Dictionary of Art, .

, , . , . , : Companion Guides (Collins), Blue Guides (A. and C. Black), Phaidon Cultural Guides.

!

, , .

1

Anthony Forge. Primitive Art and Society
(London: Oxford U.P., 1973) Douglas Fraser. Primitive Art.

(London: Thames and Hudson, 1962) Franz Boas. Primitive Art. (New York: Peter Smith, 1962)


Heinrich Schafer. Von agyptischer Kunst. Ein Grundlage
(Wiesbaden: Harrassowitz, 1963) Kurt Lang, Max Hitmer. Aegypten. Architektur, Plastik,
Malerei in drei Jahrtausenden (Munchen: Hirmer, 1955;
2- ., Munchen: Deutscher Taschenbuch, 1976) Henri Frankfort. The Art and Architecture of the Ancient

Orient (Harmondsworth: Penguin, 1954; 4- ., 1970)

Gisela M.A. Richter. A Handbook of Greek Art (London:
Phaidon, 1959; 9- ., Oxford, 1987; .
London, 1994) Martin Robertson. A History of Greek Art (2 vols.,
Cambridge U.P., 1975) Andrew Stewart. Greek Sculpture (2 vols., New
Haven-London: Yale U.P., 1990) John Boardman. The Parthenon and its Sculptures
(London: Thames and Hudson, 1985) Bernard Ashmole. Architect and Sculptor in Classical
Greece J.J. Pollitt. Art and Experience in Classical Greece
(Cambridge U.P., 1972) R.V. Cook. Greek Painted Pottery (London: Methuen,

1960; 2- ., 1972) Claude Rolley. Greek Bronzes (London: Sotheby's, 1986)


Margarete Bieber. Sculpture of the Hellenistic Age (New York: Columbia U.P., 1955; . ., 1961)
J. Onians. Art and Thought in the Hellenistic Age (London: Thames and Hudson, 1979)

J.J. Pollitt. Art in the Hellenistic Age (Cambridge U.P., 1986)


Ranuccio Bianchi Bandinelli. Rome: the Centre of Power
(London: Thames and Hudson, 1970) . Rome: the Late Empire
(London: Thames and Hudson, 1971) Richard Brilliant. Roman Art: From the Republic to
Constantine (London: Phaidon, 1974) William Macdonald. The Pantheon (Harmondsworth:
Penguin, 1976) Diana E.E. Kleiner. Roman Sculpture

(New Haven-London: Yale U.P., 1993) Roger Ling. Roman Painting (Cambridge U.P., 1991)

6

Richard Krautheimer. Rome, Profile of a City, 312-1308
(Princeton U.P., 1980) Otto Demus. Byzantine Art and the West (London:
Weidenfeld and Nicolson, 1970) Ernst Kitzinger. Byzantine Art in the Making (London:
Faber, 1977) . Early Medieval Art in the British Museum
(London: British Museum, 1940; John Beckwith. The Art of Constantinople (London: Phaidon, 1961; 2- ., 1968) Richard Krautheimer. Early Christian and Byzantine Art
and Architecture (Harmondsworth: Penguin, 1965;

4- ., 1986)

7

Jerrilyn D. Dodds, ed. Al-Andalus. The Art of Islamic
Spain (New York: Metropolitan Museum of Art,
1992) Oleg Grabar. The Alhambra (London: Allen Lane, 1978) . The Formation of Islamic Art
(New Haven-London: Yale U.P., 1973; .
. 1987) Godfrey Goodwin. History of Ottoman Architecture
(London: Thames and Hudson, 1971; . 1987) Basil Gray. Persian Painting (London: Batsford, 1947;
. 1961) R.W. Ferrier, ed. The Arts of Persia (New Haven-London:
Yale U.P., 1989) J.C. Harle. Art and Architecture of the Indian Subcontinent
(Harmondsworth: Penguin, 1986) T. Richard Burton. Hindu Art (London: British
Museum, 1992) James Cahill. Chinese Painting (Geneva: Skira, 1960;
. New York: Skira/Rizzoli, 1977) W. Willtees. Foundations of Chinese Art (London:
Thames and Hudson, 1965) William Watson. Style in the Arts of China
(Harmondsworth: Penguin, 1974) Michael Sullivan. Symbols of Eternity (Oxford U.P., 1980) . The Arts of China (Berkeley: California U.P.,
1967; 3- ., 1984) Wen C. Fong. Beyond Representation

(New Haven-London: Yale U.P., 1992)

8

David Wilson. Anglo-Saxon Art (London:
Thames and Hudson, 1984) . The Bayeux Tapestry (London:
Thames and Hudson, 1985) Janet Backhouse. The Lindisfarne Gospels (Oxford:
Phaidon, 1981; . London, 1994) Jean Hubert et al. L'Empire Carolingien. (Paris:

Gallimard, 1968)

Meyer Schapiro. Romanesque Art (London: Chatto
and Windus, 1977) George Zarnecki, ed. English Romanesque Art 1066-1200
(London: Royal Academy, 1984) Hanns Swarzenski. Monuments of Romanesque Art:
the Art of Church Treasures in North-Western Europe
(London: Faber, 1954; 2- ., 1967) Otto Pacht. Book Illumination in the Middle Ages
(London: Harvey Miller, 1986) Christopher de Hamel. A History of Illuminated
Manuscripts (Oxford: Phaidon, 1986; 2- .,
London, 1994) J.J.G. Alexander. Medieval Illuminators and their Methods

(New Haven-London: Yale U.P., 1992)

10

Henri Focillon. L'Art d'Occident. Le moyen age roman
et gothique. (Paris: Colin, 1947) Joan Evans. Art in Medieval France (London: Oxford
U.P., 1948) Robert Branner. Chartres Cathedral (London: Thames
and Hudson, 1969; . New York:
W.W. Norton, 1980) Max Hirmer, Willibald Sauerlander. Gotische Skulptur
in Frankreich. 1140-1270 (Munchen: Hirmer, 1970) Jean Bony. Cathedrals gothiques en France (Paris:
Braun, 1954) James H. Stubblebine. Giotto, the Arena Chapel Frescoes
(London: Thames and Hudson, 1966; 2- ., 1993) Jonathan Alexander, Paul Binski, ed. Age of Chivalry:
Art in Plantagenet England 1200-1400 (London:

Royal Academy, 1987)

11

Jean Bony. The English Decorated Style
(Oxford: Phaidon, 1979) Andrew Martindale. Simone Martini (Oxford:
Phaidon, 1988) Millard Meiss. French Painting in the Time of Jean
de Berry: The Limbourgs and their Contemporaries

(2 vols., New York: Braziller, 1974) Jean Longnon et al. The Tres Riches Heures of the Duc de Berry (London: Thames and Hudson, 1969; . 1989)

12

.

Eugenio Battisti. Brunelleschi: the Complete Work
(London: Thames and Hudson, 1981) Bruce Cole. Masaccio and the Art of Early Renaissance
Florence (Bloomington: Indiana U.P., 1980) Umberto Baldini, Ornella Casazza. La Capella Brancacci
(Milano: Olivetti; Electa, 1990) Paul Joannides. Masaccio and Masolino (London:
Phaidon, 1993) H.W. Janson. The Sculpture of Donatello
(Princeton U.P., 1957) Bonnie A. Bennett, David G. Wilkins. Donatello
(Oxford: Phaidon, 1984) Kathleen Morand. Claus Sluter: Artist of the Court
of Burgundy (London: Harvey Miller, 1991) Elizabeth Dhanens. Hubert and Jan van Eyck (Antwerp:
Fonds Mercator, 1980) Erwin Panofsky. Early Netherlandish Painting: Its Origin
and Character (2 vols., Cambridge, Mass.: Harvard
U.P., 1953; . New York: Harper and Row,

1971)

13

: I

Franco Borsi. L.B. Alberti: L'opera completa
(Milano: Electa, 1980) Richard Krautheimer. Lorenzo Ghiberti (Princeton U.P.,
1956; . ., 1970) John Pope-Hennessy. Fra Angelico (London: Phaidon,
1952; 2- ., 1974). . .:
-.
(.: /Slovo, 1995) . Uccello (London: Phaidon, 1950;
2- ., 1969) Ronald Lightbown. Mantegna
(Oxford: Phaidon-Christie's, 1986) Jane Martineau, ed. Andrea Mantegna
(London: Thames and Hudson, 1992) Kenneth Clark. Piero della Francesca
(London: Phaidon, 1951; 2- ., 1969) Ronald Lightbown. Piero della Francesca
(New York: Abbeville, 1992) L.D. Ettlinger. Antonio and Piero Pollaiuolo
(Oxford: Phaidon, 1978) H. Horne. Botticelli: Painter of Florence (London:
Bell, 1908; . .: Sandro Botticelli:
Life and Work. London: Thames and Hudson, 1989)
.
Botticelli's Mythologies - Symbolic Images
(London: Phaidon, 1972; 3- ., Oxford, 1985;

. London, 1995)

14
: II
John Harvey. The Perpendicular Style
(London: Batsford, 1978) Martin Davies. Rogier van der Weyden: An Essay,
with a Critical Catalogue of Paintings ascribed to him
and to Robert Campin (London: Phaidon, 1972) Michael Baxandall. The Limewood Sculptors of
Renaissance Germany (New HavenLondon:
Yale U.P., 1980) Jan Bialostocki. The Art of the Renaissance in Eastern

Europe (Oxford: Phaidon, 1976)

15

Arnaldo Bruschi. Bramante. Bari: Laterza, 1973 Kenneth Clark. Leonardo da Vinci (Cambridge U.P.,
1939; . ., Harmondsworth:
Penguin, 1988) A.E. Popham, ed. Leonardo da Vinci: Drawings
(London: Cape, 1946; . ., 1973) Martin Kemp. Leonardo da Vinci: The Marvellous
Works of Nature and Man (London: Dent, 1981)
. : The Heritage
of Apelles (Oxford: Phaidon, 1976; .
London, 1993), pp. 39-56, New Light on Old Masters
(Oxford: Phaidon, 1986; . London, 1993),
pp. 32-88 Herbert von Einem. Michelangelo. Bildhauer, Maler,
Baumeister (Berlin: Mann, 1973) Howard Hibbard. Michelangelo (Harmondsworth:
Penguin, 1975; 2- ., 1985). .
. Johannes Wilde. Michelangelo: Six Lectures
(Oxford U.P., 1978) Ludwig Goldscheider. Michelangelo: Paintings, Sculpture,
Architecture (London: Phaidon, 1953; 6- ., 1995) Michael Hirst. Michelangelo and his Drawings
(New Haven-London: Yale U.P., 1988) .: Frederick Hartt. The Paintings of Michelangelo
(New York: Abrams, 1964) . Michelangelo: The Complete Sculpture
(New York: Abrams, 1970) . Michelangelo Drawings
(New York: Abrams, 1970) .: Charles Seymour, ed. Michelangelo: the Sistine Ceiling
(New York: W.W. Norton, 1972) Carlo Pietrangeli, ed. The Sistine Chapel: Michelangelo
Rediscovered (London: Muller,
Blond and White, 1986) John Pope-Hennessy. Raphael (London: Phaidon, 1970) Roger Jones, Nicholas Penny. Raphael
(New Haven-London: Yale U.P., 1983) Luitpold Dussler. Raphael: Kritisches Verzeichnis
der Gemalde, Wandbilder und Bildteppiche
(Munchen, 1966) Paul Joannides. The Drawings of Raphael with
a Complete Catalogue (Oxford: Phaidon, 1983) . : Symbolic Images (London: Phaidon, 1972; 3- .,
Oxford, 1985; . London, 1995), pp. 85-101; . :
Norm and Form (London: Phaidon, 1966; 4- .,

Oxford, 1985; . London, 1995), pp. 64-80

16

Deborah Howard. Jacopo Sansovino
(New Haven-London: Yale U.P., 1975) Bruce Boucher. The Sculpture of Jacopo Sansovino
(2 vols., New Haven-London: Yale U.P., 1992) Johannes Wilde. Venetian Art from Bellini to Titian
(Oxford U.P., 1974) Giles Robertson. Giovanni Bellini (Oxford U.P., 1968) Terisio Pignatti. Giorgione: Complete Edition
(London: Phaidon, 1971) Harold Wethey. The Paintings of Titian
(3 vols., London: Phaidon, 1969-1975) Charles Hope. Titian (London: Jupiter, 1980) Cecil Gould. The Paintings of Correggio
(London: Faber, 1976) A.T. Popham. Correggio's Drawings

(London: British Academy, 1957)

17

Erwin Panofsky. The Life and Art of Albrecht Durer (Princeton U.P., 1943; 4- ., 1955; . 1971)
Nikolaus Pevsner, Michael Veier. Grunewald (London: Thames and Hudson, 1948)
G. Scheja. The Isenheim Altarpiece (Cologne: DuMont; New York: Abrams, 1969)
Max J. Friedlander. Die Gemalde von Lucas Cranach (Berlin: Deutscher Verein fur Kunstwissenschaft, 1932)
Walter S. Gibson. Hieronymus Bosch (London: Thames and Hudson, 1973) . : The Heritage of Apelles (Oxford: Phaidon, 1976; . London, 1993), pp. 79-90

R.H. Marijnissen. Hieronymus Bosch: The Complete Works (Antwerp: Tatard, 1987)

18

James Ackerman. Palladio
(Harmondsworth: Penguin, 1966) John Sherman. Mannerism
(Harmondsworth: Penguin, 1967) John Pope-Hennessy. Cellini (London: Macmillan, 1985) Sydney J. Freedberg. Parmigianino: His Works in
Painting (2 vols., Cambridge, Mass.:
Harvard U.P., 1950) A.T. Popham. Catalogue of the Drawings of Parmigianino

(3 vols., New Haven-London: Yale U.P., 1971) Charles Avery. Giambologna (Oxford: Phaidon-

Christie's, 1987; . London: Phaidon, 1993) Hans Tietze. Tintoretto: The Paintings and Drawings
(London: Phaidon, 1948) Harold E. Wethey. El Greco and his School
(2 vols., Princeton U.P., 1962) John Rowlands. Holbein: The Paintings of Hans Holbein
the Younger (Oxford: Phaidon, 1985) Roy Strong. The English Renaissance Miniature
(London: Thames and Hudson, 1983) -
Fritz Grossmann. Peeter Brueghel. Die Gemalde
(Koln: Phaidon, 1955) Ludwig Munz. Brueghel: The Drawings. Transl. from the
German manuscript (London: Phaidon, 1961)
19

Rudolf Wittkower. Art and Architecture in Italy
1600-1750 (Harmondsworth: Penguin, 1958;
3- ., 1973) Ellis Waterhouse. Italian Baroque Painting
(London: Phaidon, 1962; 2- ., 1969) Donald Posner. Annibale Carracci: A Study in the Reform
of Italian Painting around 1590
(2 vols., London: Phaidon, 1971) Walter Friedlander. Caravaggio Studies
(Princeton U.P., 1955) Howard Hibbard. Caravaggio
(London: Thames and Hudson, 1983) D. Stephen Pepper. Guido Reni: A Complete Catalogue of
his Works with an Introductory Text
(Oxford: Phaidon, 1984) Anthony Blunt. The Paintings of Poussin
(3 vols., London: Phaidon, 1966-1967) Marcel Rothlisberger. Claude Lorrain: The Paintings
(2 vols., New Haven-London: Yale U.P., 1961) Julius S. Held. Rubens: Selected Drawings
(3 vols., London: Phaidon, 1959;
2- . , Oxford, 1986) . The Oil Sketches of Peter Paul Rubens:
A Critical Catalogue (2 vols., Princeton U.P., 1980) Corpus Rubenianum Ludwig Burchard (London: Phaidon;
London: Harvey Miller, 1968 -
27 , 15 ) Michael Jaffe. Rubens and Italy (Oxford: Phaidon, 1977) Christopher White. Peter Paul Rubens: Man and Artist
(New Haven-London: Yale U.P., 1987) Christopher Brown. Van Dyck (Oxford: Phaidon, 1982) Jonathan Brown. Velazquez (New Haven-London:
Yale U.P., 1986) Enriqueta Harris. Velazquez (Oxford: Phaidon, 1982) Jonathan Brown. The Golden Age of Painting in Spain

(New Haven-London: Yale U.P., 1991)

20

Katharine Fremantle. The Baroque Town Hall of
Amsterdam (Utrecht: Dekker and Gumbert, 1959) Seymour Slive. Trans Hals
(3 vols., London: Phaidon, 1970-4) . Jacob van Ruisdael (New York: Abbeville, 1981) Gary Schwarz. Rembrandt: His Life, his Paintings
(Harmondsworth: Penguin, 1985) Jakob Rosenberg. Rembrandt: Life and Work
(2 vols., Cambridge, Mass.: Harvard U.P.,
1948; 4- ., Oxford: Phaidon, 1980) A. Bredius. Rembrandt: Complete Edition of the Paintings
(Vienna: Phaidon, 1935; 4-, . .,
London: Phaidon, 1971) Otto Benesch. The Drawings of Rembrandt
(6 vols., London: Phaidon, 1954-7; . .,
1973) Christopher White, K.G. Boon. Rembrandt's Etchings:
An Illustrated Critical Catalogue (2 vols., Amsterdam:
Van Ghendt, 1969) Christopher Brown, Jan Kelch, Pieter van Thiel.
Rembrandt: The Master and his Workshop
(2 vols., New Haven-London: Yale U.P., 1991) Baruch D. Kirschenbaum. The Religious and Historical
Paintings of Jan Steen (Oxford: Phaidon, 1977) Wolfgang Stechow. Dutch Landscape Painting of the
Seventeenth Century (London: Phaidon, 1966;
3- ., Oxford, 1981) Svetlana Alpers. The Art of Describing: Dutch Art in the
Seventeenth Century (London: John Murray, 1983) Lawrence Gowing. Vermeer (London: Faber, 1952) Albert Blankert. Vermeer of Delft: Complete Edition
of the Paintings (Oxford: Phaidon, 1978) John Michael Montias. Vermeer and his Milieu

(Princeton U.P., 1989)

21
: I
Anthony Blunt, ed. Baroque and Rococo Architecture
and Decoration (London: Elek, 1978) . Borromini (Harmondsworth: Penguin, 1979;
. . Cambridge, Mass.: Harvard U.P., 1990) Rudolf Wittkower. Gian Lorenzo Bernini
(London: Phaidon, 1955; 3- ., Oxford, 1981) Robert Enggass. The Paintings of Baciccio: Giovanni
Battista Gaulli 1639-1709 (University Park:
Pennsylvania State U.P., 1964) Michael Levey. Giambattista Tiepolo
(New Haven-London: Yale U.P., 1986) . Painting in Eighteenth Century Venice
(London: Phaidon, 1959; 3- .,
New Haven-London: Yale U.P., 1994) Julius S. Held, Donald Posner. Seventeenth and
Eighteenth Century Art (NewYork-London:

Abrams, 1972)

22
: II
G. Walton. Louis XIV and Versailles
(Harmondsworth: Penguin, 1986) Anthony Blunt. Art and Architecture in France 1500-1700
(Harmondsworth: Penguin, 1953; 4- ., 1980) Henry-Russell Hitchcock. Rococo Architecture
in Southern Germany (London: Phaidon, 1968) Eberhard Hempel. Baroque Art and Architecture
in Central Europe (Harmondsworth: Penguin, 1965) Marianne Roland Michel. Watteau: Un artiste au XVIII-e
siecle (Paris: Flammarion, 1984) Donald Posner. Antoine Watteau

(London: Weidenfeld and Nicolson, 1984)

23

Kerry Downes. Sir Christopher Wren
(London: Granada, 1982) Ronald Paulson. Hogarth: His Life, Art and Times
(2 vols., New Haven-London: Yale U.P., 1971;
. . , 1974) David Blindman. Hogarth (London:
Thames and Hudson, 1981) Ellis Waterhouse. Reynolds (London: Phaidon, 1973) Nicolas Penny, ed. Reynolds (London: Royal
Academy, 1986) John Hayes. Gainsborough: Paintings and Drawings

(London: Phaidon, 1975; . Oxford, 1978) . The Landscape Paintings of Thomas Gainsborough:

A Critical Text and Catalogue Raisonne
(2 vols., London: Sotheby's, 1982) . The Drawings of Thomas Gainsborough
(2 vols., London: Zwemmer, 1970) . Thomas Gainsborough
(London: Tate Gallery, 1980) Georges Wildenstein. Chardin, a Catalogue Raisonne
(Oxford: Cassirer, 1969) Philip Conisbee. Chardin (Oxford: Phaidon, 1986) H.H. Arnason. The Sculptures of Houdon
(London: Phaidon, 1975) Jean-Pierre Cuzin. Jean-Honore Fragonard:
Vie et oeuvre; catalogue complet des peintures
(Fribourg: Suisse, 1987) Oliver Millar. Zoffany and his Tribuna

(London: Routledge and Kegan Paul, 1967)

24

J. Mordaunt Crook. The Dilemma of Style
(London: John Murray, 1987) J.D. Prown. John Singleton Copley
(2 vols., Cambridge, Mass.: Harvard U.P., 1966) Anita Brookner. Jacques-Louis David
(London: Chatto and Windus, 1980) Paul Gassier, Juliet Wilson. The Life and Complete Work
of Francisco Goya (New York: Reynal, 1971;
. ., 1981) Janis Tomlinson. Goya (London: Phaidon, 1994) David Bindman. Blake as an Artist
(Oxford: Phaidon, 1977) Martin Butlin. The Paintings and Drawings
of William Blake (2 vols., New Haven-London:
Yale U.P., 1981) Martin Butlin, Evelyn Joll. The Paintings
of J.M.W. Turner, a Catalogue
(2 vols., New Haven-London: Yale U.P., 1977;
. ., 1984) Andrew Wilton. The Life and Work of J.V.W. Turner
(London: Academy, 1979) Graham Reynolds. The Late Paintings and Drawings
of John Constable (2 vols., New Haven-London:
Yale U.P., 1984) Malcolm Cormack. Constable (Oxford: Phaidon, 1986) Walter Friedlander. From David to Delacroix
(Cambridge, Mass.: Harvard U.P., 1952) William Vaughan. German Romantic Painting
(New Haven-London: Yale U.P., 1980) Helmut Borsch-Supan. Caspar David Friedrich
(London: Thames and Hudson, 1974;
4- ., Munich: Prestel, 1990) Hugh Honour. Neo-classicism (Harmondsworth:

Penguin, 1968)

. Romanticism (Harmondsworth: Penguin, 1981) Kenneth Clark. The Romantic Rebellion (London: Sotheby's, 1986)

25

Robert Rosenblum. Ingres (London: Thames
and Hudson, 1967) Robert Rosenblum, H.W. Janson. The Art of the
Nineteenth Century (London: Thames and Hudson,
1984) Lee Johnson. The Paintings of Eugene Delacroix
(6 vols., Oxford U.P., 1981-1989) Michael Clarke. Corot and the Art of Landscape
(London: British Museum, 1991) Peter Galassi. Corot in Italy: Open-Air Painting and the Classical Landscape Tradition (New Haven-London:
Yale U.P., 1991) Robert Herbert. Millet (Paris: Grand Palais; London:
Hayward Gallery, 1975) Courbet (Paris: Grand Palais; London:
Royal Academy, 1977) Linda Nochkin. Realism (Harmondsworth:
Penguin, 1971) Virginia Surtees. The Paintings and Drawings of Dante
Gabriel Rossetti (Oxford U.P., 1971) Albert Boime. The Academy and French Painting
in the Nineteenth Century (London: Phaidon, 1971;
. New Haven-London: Yale U.P., 1986) Manet (Paris: Grand Palais; New York: Metropolitan
Museum of Art, 1983) John House. Monet (Oxford: Phaidon, 1977;
3- ., London, 1991) Paul Hayes Tucker. Monet in the '90s:
The Series Paintings (New HavenLondon:
Yale U.P., 1989) Renoir (Paris: Grand Palais; London: Hayward Gallery;
Boston: Museum of Fine Arts, 1985) Pissarro (London: Hayward Gallery; Paris:
Grand Palais; Boston: Museum of Fine Arts, 1981) J. Hillier. The Japanese Print: A New Approach
(London: Bell, 1960) Richard Lane. Hokusai: Life and Word
(London: Barrie and Jenkins, 1989) Jean Sutherland Boggs et al. Degas (Paris: Grand Palais;
Ottawa: National Gallery of Canada; New York:
Metropolitan Museum of Art, 1988) John Rewald. The History of Impressionism
(New York: Museum of Modern Art, 1946; 4- .,
London: Secker and Warburg, 1973). . : . .
. .. (.-.: , 1959;

2- .: . .. .

.. ; .: , 1995) Robert L. Herbert. Impressionism: Art, Leisure and
Parisian Society (New Haven-London:
Yale U.P., 1988) Albert Elsen. Rodin (New York: Metropolitan
Museum of Art, 1963) Catherine Lampert. Rodin: Sculptures and Drawings
(London: Hayward Gallery, 1986) Andrew Maclaren Young, ed. The Paintings of James
McNeill Whistler (New Haven-London:
Yale U.P., 1980) K.E. Maison. Honore Daumier: Catalogue of the paintings,
Watercolours and Drawings (2 vols., London:
Thames and Hudson, 1968) Quentin Bell. Victorian Artists (London: Routledge
and Kegan Paul, 1967) Graham Reynolds. Victorian Painting

(London: Studio Vista, 1966)

26

Robert Schmutzler. Art Nouveau - Jugendstil
(Teufen: Niggli, 1962) Roger Fry. Cezanne: A Study of his Development
(London: Hogarth Press, 1927;
. ., Chicago U.P., 1989) William Rubin, ed. Cezanne. The Late Work
(London: Thames and Hudson, 1978) John Rewald. Cezanne: The Watercolours
(London: Thames and Hudson, 1983) John Russell. Seurat (London: Thames
and Hudson, 1965) Richard Thomson. Seurat (Oxford: Phaidon, 1985;
. 1990) Ronald Pickvance. Van Gogh in Aries (New York:
Metropolitan Museum of Art, 1984) . Van Gogh in Saint Remy and Auvers
(New York: Metropolitan Museum of Art, 1986) Michel Hoog. Gauguin (London: Thames
and Hudson, 1987) Gauguin (Paris: Grand Palais; Chicago:
Art Institute; Washington: National Gallery of Art,
1988) Nicolas Watkins. Bonnard (London: Phaidon, 1994) Gotz Adriani. Toulouse-Lautrec (London: Thames
and Hudson, 1987) . Post-Impressionism: From Van Gogh to Gauguin
(New York: Museum of Modern Art, 1956;

3- ., London: Secker and Warburg, 1978)

27
.
Robert Rosenblum. Cubism and Twentieth-Century
Art (London: Thames and Hudson, 1960;
. ., New York: Abrams, 1992) John Golding. Cubism: A History and an Analysis,
1907-1914 (London: Faber, 1959; 3- ., 1988) Bernard S. Myers. Expressionism (London: Thames
and Hudson, 1963) Walter Grosskamp, ed. German Art in the Twentieth
Century: Painting and Sculpture 1905-1985
(London: Royal Academy, 1985) Hans Maria Wingler. The Bauhaus (Cambridge, Mass.:
MIT Press, 1969) H. Bayer, W. Gropius, I. Gropius, Hrsg.
Bauhaus 1919-1928 (Teufen: Niggli, 1959) William J.R. Curtis. Modern Architecture since 1900
(Oxford: Phaidon, 1980; 2- ., 1989;
. London, 1994) Robert Hughes. The Shock of the New: Art and the
Century of Change (London: BBC, 1980; .
. ., 1991) William Rubin, ed. Primitivism in 20th Century Art:
Affinity of the tribal and the Modern (2 vols.,
New York: Museum of Modern Art, 1984) Reinhold Heller. Munch: His Life and Work
(London: John Murray, 1984) C.D. Zigrosser. Prints and Drawings of Kathe Kollwitz
(London: Constable; New York: Dover, 1969) Werner Haftmann. Emil Nolde. (5 Aufl., Koln:
Du Mont Schauberg, 1966) Richard Calvocoressi, ed. Oskar Kokoschka 1886-1980
(London: Tate Gallery, 1987) Peter Vergo. Art in Vienna 1898-1918: Klimt, Kokoschka,
Schiele and their Contemporaries (London:
Phaidon, 1975; 3- ., 1993, . 1994) Paul Overy. Kandinsky: The Language of the Eye
(London: Elek, 1969) Hans Kroethel, Joan K. Benjamin. Kandinsky:
Catalogue Raisonne of the Oil Paintings
(2 vol., London: Sotheby's, 1982-4) Will Grohmann. Wassily Kandinsky: Life and Work
(New York: Abrams, 1958) Sixten Ringbom. The Sounding Cosmos
(Abo: Academia, 1970) Jack Flam. Matisse: The Man and his Art, 1869-1918
(London: Thames and Hudson, 1986) John Elderfield, ed. Henri Matisse (New York:
Museum of Modern Art, 1992) Pablo Picasso: A Retrospective (New York: Museum
of Modern Art, 1980) Timothy Hilton. Picasso (London: Thames

and Hudson, 1975) Richard Verdi. Klee and Nature (London: Zwemmer, 1984)

Margaret Plant. Paul Klee: Figures and Faces
(London: Thames and Hudson, 1978) Ulrich Luckhardt. Lyonel Feininger
(Munchen: Prextel, 1989) Pontus Hulten, Natalia Dumitresco, Alexandre Istrati.
Brancusi (London: Faber, 1988) John Milner. Mondrian (London: Phaidon, 1992) Norbert Lynton. Ben Nicholson (London: Phaidon, 1993) Le Douanier Rousseau (New York: Museum of Modern Art, 1985 Susan Compton, ed. British Art in the Twentieth Century:
The Modern Movement (London: Royal
Academy, 1987) Joan M. Marter. Alexander Calder, 1898-1976
(Cambridge U.P., 1991) Alan Bowness, ed. Henry Moore: Sculptures and Drawings
(6 vols., London: Lund Humphries, 1965-7) Susan Compton, ed. Chagall (London: Royal
Academy, 1985) David Sylvester, ed. Rene Magritte, Catalogue Raisonne
(2 vols., Houston: The Menil Foundation;
London: Philip Wilson, 1992-1993) Yves Bonnefoy. Giacometti (New York: Abbeville, 1991) Robert Descharnes. Dali de Gala: Le monde de
Salvador Dali (Paris: Bibliotheque de arts, 1962);
. : . , . .
. : , 1996) Dawn Ades. Salvador Dali (London: Thames and

Hudson, 1982)

28

John Elderfield. Kurt Schwitters (London: Thames
and Hudson, 1985) Irving Sandler. Abstract Expressionism: The Triumph
of American Painting (London: Pall Mall, 1970) Ellen G. Landau. Jackson Pollock (London: Thames
and Hudson, 1989) James Johnson Sweeney. Pierre Soulages
(Neuchatel: Ides et Calendes, 1972) Douglas Cooper. Nicolas de Stael
(London: Weidenfeld and Nicolson, 1962) Patrick Waldburg, Herbert Read, Giovanni de
San Luzzaro, eds. Complete Works of Marino Marini
(New York: Tudor Publishing, 1971) Marilena Pasquali, ed. Giorgio Morandi 1890-1964
(London: Electa, 1989) Hugh Adams. Art of the Sixties (Oxford: Phaidon, 1978) Charles Jencks, Maggie Keswick. Architecture Today
(London: Academy, 1988) Lawrence Gowing. Lucian Freud (London: Thames
and Hudson, 1982) Naomi Rosenblum. A World History of Photography
(New York: Abbeville, 1989) Henri Cartier-Bresson, photographe (Paris: Delpire, 1980) Hockney on Photography: Conversations with Paul Joyce
(London: Jonathan Cape, 1988) Maurice Tuchman, Stephanie Barron, eds.
David Hockney: A Retrospective (Los Angeles:
Los Angeles County Museum of Art;

London: Thames and Hudson, 1988)

(3)

:
 
















sitemap:
. , , .